In the waking world, Ariane Emory is equipped with a well-honed weapon and the means with which to wield it. In the waking world, her will is her own: she moves and acts according to her own choices, cleaves to detachment in favour of the vulnerability she'd carved away long ago. During sleep, however -- as she twists and fights beneath sweated sheets -- those choices are very few indeed...
This is the living tomb, the bowel of the earth. This is No-Place, No-Time, a lasting darkness that is fuelled by the memory of things long dead. The duration of her stay here is three hours, no more and no less. The passing of that time is marked by persistent, inescapable pain: on each heartbeat, a thin needle of it violates her flesh.
No-Place, but there are some boundaries here; enough futile stumbling permits her fingertips to brush against cool, damp earth; enough stubborness sends her falling against pulpy flesh and old bedsheets. "My girl, my girl," whispers old Blood, the black dog that had been her family's salvation. "My girl," it breathes by her throat, as a loved-thing screams its agony to the uncaring darkness of this void.
She is not alone here. But then, in dreams she seldom is.
"My girl," it croons, as lightning tears through the skies and shudders across her nerves. Silver rises in her veins like a mercurial tide, rises in her throat to choke like black feathers, like dry blankets, like a rush of rotting gold. It floods from the corners of her mouth, and she is dying of this violation, fallen to her knees as the breath grows stale in her lungs.
The healer's eyes are the most beautiful thing that she's ever seen, sometimes frosty with purest jade, sometimes glittering with sapphire, twin jewels set into the chill heartless gold that is her essential self. "Thank me," sings the tiny woman, as fresh rot rises in her dying lungs. "Be like me," she commands, as paper wings unfurl, crackling and dry, from her shoulders. There is a staggering lunge, a bare hand clawing through empty air --
Because she is alone here. But then, in dreams she often is.
