by Glenn » Wed Jul 03, 2013 2:43 pm
Many Months Ago
To a man who had just spent agonizing weeks in the Remedium covered in festering wounds and never-to-be-healed burns, it was almost pleasant. Not every day, but almost so, the motherly old woman would come to visit. He would welcome her with a smile, would sit her down, would fetch her some wine, and they would get to business. The deal was simple: together they crafted a story that would save his life, that would restore him. In exchange, he would tell her a new story whenever she called upon him. Simplicity itself, it was, and worth it, so very worth it.
The man in black began with the fables of his homeland, tales of brave sailors on long, lost journeys plying their cleverness against demigods and monsters, of heroes climbing snow-covered peaks to do battles with giant birds and to find treasures of gold. Then it was the tales of his own youth, some adventurous, some tragic; tales of his family: of criminals and politics and of the intersection between. The days went on and he ran out of fictional tales, of tales of his own youth, of his homeland's history and culture. She was not overly demanding but she was constant, a stream that would wear away a stone day after day after day. The need to gather tales, to tell them to her increased, slowly at first, but more and more and more. His deepest secrets became fodder to feed the need. Soon he was offering her everything he knew, his secrets, those he learned while working under Burnie, Myrken's.
In the middle of that span, when the hunger was bad but not yet all consuming, when he was just distracted enough by the pangs, he told her this tale:
Once upon a time there was a girl and there was a boy. The boy talked to much, yes? Words and words and words. They came into his head. They came out of his mouth, but sometimes they were almost clever so it was almost okay. Other times he got kicked and stomped on so it evens out. He meant well and was curious. She was curious too. She didn't talk so much but she smiled behind a veil and was a good person. Sometimes she was sad because another boy had done her wrong as other boys tended to do. He went to a cold, cold place and forgot about her. Sometimes, we only see what's right in front of us, we males especially, but all of us. You're not any better, nonnina. I know.
So there is the boy and the girl and they are busybodies, getting in everyone's business. It is, let us say, a common interest. The girl burns bright, bright like the sun, which makes it all the sadder that she got hurt by the old boy in the cold place. The new boy, though, he's drawn in, drawn in too close and it burns him, burns him to the core, burns him so much that they can't be together without him being hurt. You see when they are really together, they are closer than talking, closer than a kiss, closer than anything. He knows her heart. She knows his. It is bliss. It is bliss and it is killing him. So everyone around them rise up, not wanting to see the boy and the girl hurt, and make it so they can't be together.
One day a woman with skin like night and breasts like very large melons comes to them. They know she is a witch. They know she is evil, but they are young and they are in love. The witch, she claims to want a new start and offers them magical rings that would let them be together. They take them and they live happily ever after, proving that people should be given a second chance. The end.
Except for this is Myrken Wood and no story ends like that here. No, no. It goes like this. The rings are cursed. The girl becomes more and more nasty and wicked, more and more like the witch. The boy becomes more and more oblivious to it, is cursed to enjoy it more than the good, curious, brave girl she'd been. Then, when the girl is at her worst, the Witch comes back to cackle at her vengeance and cuts the girl's hand right off. The boy and the girl? They're never happy again, not really.
The lesson to be learned then, it is simple:
Never trust a drow bearing gifts.
The thought passes through Burnie's mind plainly. He'd followed Audmathus, had listened to him, had heard him say some of the same things again and again, heard him speak of the nature of Golben, had heard him admit to contradiction, had heard him comment on Burnie's theory of empathy and sympathy.
And then finally, he witnessed the sword held out like a gift.
He smiled. "Maybe. Maybe I want to teach you." He sat down before Audmathus in the middle of the pathway. "Maybe I want to hear my voice, even here." He looked up at the drow. "Maybe I'll take the sword.
"But we talk first. Sit down. The shrieking storyteller and honestly terrifying unicorn creature can wait. I think I'm ready to talk." It was a strange feeling; seeing the sword had brought him full circle though. "It all started with the rings. It all started with my weakness. I was a boy and I was greedy and I was needy. And then I grew strong and rigid and unyielding, no matter what it cost me or anyone else. I wouldn't be weak again. People died because I wouldn't be weak again. " Jirai again, part of the cost of his strength. He paid it in so many ways, but others did as well. "It was too late then, though. The damage was done. Revenge makes for such inspiration, but it never fixes anything, does it?"
He'd mentioned Golben, the nature of it, again and again and again and again. "This wasn't my empathy, Audmathus. It was my sympathy. It wasn't my understanding of others, it was my emotion, my feeling. My understanding hadn't been wiped from me in Underdark, but my heart had been. At that point you and I weren't much different, no. We just had different drives. Even so, it was my sympathy that was dangerous. It was bottled up, stored deep, detached from the rest of me. When it worked its way out, it was erratic, built up pressure that festered and spoiled. When it spewed forth, it was as lapses. Either I released now and again or it would destroy me. This place? It was one of those releases. A piss from the bladder of my heart, Audmathus. Then, not unsympathetic, Burnie would look to the drow, young, honest if not earnest. "I'm sorry, you know, sorry that you'll never know the feeling of it. It's wonderful and terrible all at once. You deserve that pain and the joy of it might do you some good."