Above the tavern where so much had come to pass, upon the very roof that scaled above the inn, there is set a macabre tableau; a violence unmatched even in the horrors of recent times.
Nine iron spikes are hefted in a semicircle, ten feet each, some of them segmented so that they could be extended and locked in place with heavy screws. Each is bolted to the tiles, set firmly so that it will doubtless take a great force and many men to remove them.
But the spectacle that greets the eyes - and the noses - of the taverngoers is so savagely bizarre that it will likely be the talk of Myrken-town for some ages to come.
Upon each spike a humanoid body is impaled, the greased iron pole driven between the buttocks - on all but one - and slid into the body cavity, upon most then to emerge from the victim's mouth; from the contortion of their limbs it is plain that all were alive at the time of this brutal act.
All of the corpses are horribly burned, almost beyond recognition. By what, given there has been no sign of a fire upon the roof of the tavern, such may have been a mystery, were it not for signs of fangs within their mouths; explanation, then.
They are, or were, all vampires.
The arms of one corpse have been wrenched from their sockets prior to death; the eyes stitched shut. A blind and crippled lord.
The Ventrue, Mikaen.
The arms are found inexplicably fused to the sides of the second corpse, a female, set out as though she were four-armed eastern goddess splayed upon the impaling spear; a spear driven through her in a more violating manner even than the others.
The Toreador, Karissa.
The third corpse is so badly charred as to be nigh unrecognisable.
The Tremere, Jahrvek.
These three head the circle of nine; the others arc behind them, squashed into almost foetal postures upon their spikes; the entrails of all of them have been removed and threaded between the corpses to create an obscene tapestry; the fiery kiss of dawn, however, has disintegrated much of this blighted spiderweb, leaving it to hang a sizzling spiderweb from the remains.
The Neonates.
And foremost, set to loom over the figure of a monstrous, snarling stone gargoyle set at the very front of the tavern, is a figure impaled apart from the rest; and so horribly mutilated as to be considered an artwork unto itself.
The beautiful golden hair stretched back and woven about a steel frame inserted into the back; a frame that supports the butchery. For this body's ribcage has been split open from behind, and his lungs pulled out his back in the manner of a classic spreadeagling. These now-shrivelled organs are set upon the framework, splayed out and pinned in a manner suggesting wings.
That his muscle has been stripped from his bones, separated delicately into individual fibres, and folded back to resemble feathers along his arms and legs was also indicative of the pose he has been set into; a martyr, a savior.
Here was the fate of the Angel of the Night.
The Toreador, Shamiel.
And dead, but not burned, their throats simply slashed, four human corpses are set at the foot of each Impalement; the kine the coven had been feeding off in their lair are not spared D's malignance. Here, they are set out in an obscene Nativity; forced into penitent postures, their eyes bloodily plucked forth and their hands sewn together into stiff gestures of prayer. Worshiping their charred eidolons, their murdered, futile gods.
Here was the gauntlet thrown. Here was the challenge promised, to the authority of Myrken's vampire lords; into the faces of Varian and Lucian was the insult spat, by their nameless and mysterious new rival.
Could they protect their own, from this? Could they even protect themselves?
An iron plaque is set at the foot of the diorama of profanity; a biblical quote to add blasphemy to horror.
And he said unto him, all of these things I will give unto thee, if thou wilt fall down and worship me.

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