"He wears their robes," answers Ariane-who-was-Lily -- but that was a very brief madness, of course, and certainly a necessary one. Sventon can make no such claim. "He claims a place amongst them; those robes mark that for fact. Let him recant before there is a knife at his throat. Let him denounce them before we tear the robes from his back, mm? And then perhaps I will reckon his repentence to have some worth, but not before, ser.
Not before."
If the distance between them may be measured in terms of lunge and sword-span, then she has just shortened it by the length of a dagger's blade. It is a quietly-taken step, heel and toe upon the stony ground.
"Perhaps he would have you save him from his god. Mm? Perhaps he awaits a weakened moment to send a knife at your eyes, or drugs for your throat, or a club to the back of your head -- ser, you do not understand what you hold there. There is no 'redeeming' what he's done, not unless you reckon him apt to raise the dead from their graves."
And that is surely to be the end of it, for another step follows the close of these words; low at the woman's side, her grasp upon the dagger has adjusted. This grip is suited better to murder and defense, and that is clearly her intent --
Family, says Cinnabar, to the woman who'd in a single, ill month, lost both halves of her own. It pauses her again, and this time there are no words to challenge the claim. Oh, on the contrary, there is an uncertainty in her ashen eyes; a skeptical frown darkens them.
For the first time, the apprentice faces a woman who means to hear more.
