There is a certain amount of power inherent in paper. The adage that knowledge is power is especially apt with regard to the reports that have flowed across Cinnabar Calomel's desk in recent months - first as High Constable, now as Governor. There are also ways to wring knowledge out of other sorts of papers, individually and in quantity. Cross-referencing, checking, correllating, compiling. It is no small coincidence that the government clerks and functionaries moved from the Interim Meetinghouse on Haberdasher's Row were relocated to a converted warehouse adjacent to the Myrkentown Constabulary's headquarters. No coincidence at all, in fact.
Following certain decisions reached in the last meeting of the Judiciary Council - shortly after Calomel's assumption of power - there has been a constant traffic between the two buildings, scribes and officials moving back and forth with document satchels, scroll-cases, leather wallets containing files and dossiers. Certain paths have been followed through the records, investigated, tracks left in ink and parchment and sealingwax. Coincidences noted, patterns traced and documented, points at which various trails converge, leading back to a single point - a hub, a junction. And then, that unifying feature confirmed, other trails are followed out from that nexus, building up a picture of careful and deliberate action carried out subtly, insidiously, discreetly. And yet there is still that chain, those links that connect one point to the other.
At one end of the chain, the complex of buildings that has become known as the home of the Violet Dawn; a temple, a commune, an orphanage; believers with purple marks upon their foreheads, their shining-eyed enthusiasm and unsettlingly abundant vegetable gardens; believers who have donated property, homes and land to their sect. At the other end, a certain Nhilos Ahad, apparently some sort of wealthy philanthropist about whom very little at all is known, but to whom the Violet Dawn's holdings in Myrken Wood had apparently been transferred.
And in the middle of the web, one name. One man. A man who is subtly watched, observed, scrutinised from the shadows.
It is some while before dawn when grey-clad men in dark hoods and stern masks of moulded leather break down the doors of Oliver Whitfield's home, storming into the building from front and back; batons and black sack at the ready to drag the abruptly-prosperous lawyer from his bed; simultaneously an identical scene takes place at his offices, the target this time being any files, documents or paperwork that might be found.
A first move. The second follows soon after.
